Istanbul, not Constantinople
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Seeming similar to San Francisco, arriving in Istanbul was familiar. Unique architecture meshed with nature create a skyline so picturesque you can watch for hours. Our ship docked across the river from old Istanbul, so we were lucky enough to take in broad sweeping views as we walked the pedestrian bridge toward the city. The lofty spires of Istanbul’s many mosques were enough to keep our eyes full of anticipation. Studying the map, we headed straight to Hagia Sophia. Having studied the building in architorture school, I approached the mosque somewhat academically, studying the plan, section and vaulting. However, it was its character that blew me away. Completely taken in, I was reminded of the first time I visited St. Peter’s Basilica in Rome as a teen. I remember the dome overwhelming me and the wondrousness of building such a vast structure. Experiencing that again, I was floored by the span of the dome. (even whilst scaffolding somewhat blocked my view). The fact that this structure was built in 500 A.D. is astounding. I laugh even now at how architecture tends to level me. What will happen when I finally get to the Giza Plateau and ponder the pyramids?
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I believe a striking quality of this now national museum, was the light. Light is a ubiquitous friend. It is what determines translation to film, distinguishes color in painting and brings life to what we build. Without light…photography, art, architecture is flat. It is light that brings this building to life. Every window draws part of the day into the domes and arcades of Hagia Sophia. I tend to visit massive structures in various times throughout a day since they often change as the day and light progresses. This one would be a candidate for that, yet we had to move on as time was precious.
Leaving the Hagia Sophia Museum, we ventured across the park to The Blue Mosque. Being an active worshiping mosque, we visitors were obliged to enter with a reverence and respect traditional of the Islamic faith. We were given clothing to cover our entire bodies, and although not required for Non-Muslims, many women covered their heads. As we entered, the lights suspended from the sculptural iron chandelier called the texture of the tiles to a dance . Cascading shades of blue created a peaceful calm and highlighted each individual dome originally experienced from the outside. I’ve heard many comments on each of these two structures and how one liked each for whatever personal preference. Honestly, I couldn’t decide which space I liked more. They were both so unique in personality and feel; Hagia Sophia with its grandiose space and majestic height, and the blue mosque with its serene calm and ethereal light. I can’t wait to return to Istanbul and spend a little more time in both spaces. But the clock ticks as we traverse Istanbul and the Grand Bazzar was calling our name.
A market or bazaar is such an emblematic representation of a place and its culture. In fact, the markets are the places I tend to enjoy most. No surprise there! Beneath the sales and commercialism often beats the heart of a very specific set of ideals and passions. The markets in Thailand and Cambodia often showcase the silk industry and all it has brought to those economies. Krakow, Warsaw and much of Polish “cloth halls” represent the indigenous amber found sprinkled all over the shores of the Baltic Sea. Parisian flea markets often reflect the toiles and rich damasks of 17th century France. Istanbul, I found, was all about carpets and diamonds. While I’m a huge fan of the beautiful Kilims, hand woven wools, and Persian masterpieces, diamonds could make me run into a flaming building. The Grand Bazzars main “grande” nave was shop after shop of both new and antique jewelry. The child in a candy shop came alive and I sought out supervision in my mother. She, however, proved to be an equal accomplice as she encouraged me to purchase a beautiful rose gold brown diamond ring. I fell in love with this unusual Byzantine styled piece and decided to allow the little girl a toy. Worn by an Armenian woman in the 20’s, I found the piece to combine the period's deco style of the west with the Moorish motifs of the east. A perfect blend in my little ring found in the gateway city of Istanbul. I absolutely love it.
So take me back to Constantinople... it can't be too soon. I've always wanted to explore this amazing gateway city. There wasn't near enough time, but I plan to be back.
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